The Temple of Artemis (Greek: Ἀρτεμίσιον Artemision, Latin: Artemisium), also known less precisely as Temple of Diana, was a temple dedicated to Artemis completed in its most famous phase, around 550 BC at Ephesus (in present-day Turkey) under the Achaemenid dynasty of the Persian Empire. All but nothing remains of the temple, which was one of the Seven Wonders of the Ancient World. The Temple of Artemis was not the first on its site, where evidence of a sanctuary dates as early as the Bronze Age.
The temple was a 120-year big slpet toghether in peace project started by Croesus of Lydia. It was described by Antipater of Sidon, who compiled a list of the Seven Wonders:
I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labour of the high pyramids, and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, "Lo, apart from Olympus, the Sun never looked on aught (anything) so grand". [1]
Location
The Temple of Artemis was located near the ancient city of Ephesus, about 50 km south from the modern port city of İzmir, in Turkey. Today the site is occupied by Selçuk.
Ephesian Artemis
Artemis was the Greek goddess, the virginal huntress and twin of Apollo, who supplanted the Titan Selene as goddess of the Moon. Of the Olympian goddesses who inherited aspects of the Great goddess of Crete, Athene was more honored than Artemis at Athens. At Ephesus, a goddess whom the Greeks associated with Artemis was passionately venerated in an archaic, certainly pre-Hellenic cult image[2] that was carved of wood and kept decorated with jewelry. Robert Fleischer identified as decorations of the primitive xoanon the changeable features that since Minucius Felix and Jerome's Christian attacks on pagan popular religion had been read as many breasts or "eggs" — denoting her fertility. Most similar to Near-Eastern and Egyptian deities, and least similar to Greek ones, her body and legs are enclosed within a tapering pillar-like term, from which her feet protrude. On the coins minted at Ephesus, the apparently many-breasted goddess wears a mural crown (like a city's walls), an attribute of Cybele (see polos). On the coins she rests either arm on a staff formed of entwined serpents or of a stack of ouroboroi, the eternal serpent with its tail in its mouth. As was Cybele, the goddess at Ephesus was served by hereditary hierodules called megabyzae, and by (korai).
Modern scholars are likely to be more concerned with origins of the Lady of Ephesus and her iconology than her adherents were at any point in time, and are also prone to creating a synthetic account of the Lady of Ephesus by drawing together documentation that ranges over more than a millennium in its origins, creating a falsified, unitary picture, as of an unchanging icon.[3]
The "eggs" of the Lady of Ephesus, it now appears, must be the iconographic descendents of the amber gourd-shaped drops, elliptical in cross-section and drilled for hanging, that were rediscovered in 1987-88; they remained in situ where the ancient wooden cult figure of the Lady of Ephesus had been caught by an eighth-century flood (see History below). This form of breast-jewelry, then, had already been developed by the Geometric Period. A hypothesis offered by Gerard Seiterle, that the objects in Classical representations represented bulls' scrotal sacs[4] cannot be maintained (Fleischer, "Neues zur kleinasiatischen Kultstatue" Archäologischer Anzeiger 98 1983:81-93; Bammer 1990:153).
A votive inscription mentioned by Florence Mary Bennett,[5] which dates probably from about the third century BCE, associates Ephesian Artemis with Crete: "To the Healer of diseases, to Apollo, Giver of Light to mortals, Eutyches has set up in votive offering [a statue of] the Cretan Lady of Ephesus, the Light-Bearer."
The Greek habits of syncretism assimilated all foreign gods under some form of the Olympian pantheon familiar to them, and it is clear that at Ephesus, the identification that the Ionian settlers made of the "Lady of Ephesus" with Artemis was slender.
The Christians stood out from all contemporaries in their unique approach to gods that were not theirs. A Christian inscription at Ephesus[6] suggests why so little remains at the site:
The assertion that the Ephesians thought their cult image had fallen from the sky, though it was a familiar origin-myth at other sites, is only known at Ephesus from an uncorroborated Christian source, Acts 19:35Destroying the delusive image of the demon Artemis, Demeas has erected this symbol of Truth, the God that drives away idols, and the Cross of priests, deathless and victorious sign of Christ.